Flamenco Magazine
Ole Ole Flamenco On the Spot: Ryan Rockmore
Flamenco On the Spot: Ryan Rockmore is a flamenco dancer and researcher in New York. He has studied with Carmen Ledesma, Merche Esmeralda, La Choni, Victorio Korjhan, La Meira, Rafaela Carrasco, an...
Read moreFlamenco On the Spot: Alfonso Cid
Alfonso Cid Singer | Flute player | Composer | Teacher My name is Alfonso Cid, I'm a flamenco singer, flute player, composer, teacher and scholar. Many of you know how much I love flamenco, from...
Read moreFlamenco on the spot: Irene Rodríguez
Nacida en la Ciudad de La Habana, Cuba, comienza sus estudios de Danza Española en la Sociedad Cultural Española “Centro Andaluz de La Habana”. A los pocos meses se incorpora de forma extraoficial ...
Read moreFlamenco on the spot: Ekaterina Tsvetkova
Ekaterina Tsvetkova: Russian dancer & choreographer, artistic director of the flamenco dance theatre & school «Aire». Currently, Aire Flamenco Theatre is actively cooperating with Javier ...
Read moreFlamenco on the spot: Yolit Flamenco
Born and raised in Israel, Yolit studied dance at an art school and fell in love with Flamenco as a teenager.
Read moreFlamenco on the spot: Flamenco Vivo Carlota Santana
Founded in 1983, Flamenco Vivo Carlota Santana is one of America’s most prominent dance companies.
Read moreFlamenco on the spot: Lindsey Bourassa
Lindsey Bourassa is a flamenco dancer, performer, choreographer, creative writer, teacher, and founding director of Bourassa Dance Studio. In her artistic work, Lindsey creates original dance piece...
Read moreFlamenco on the spot: Sara Martín
Sara Martín: Durante más de una década he trabajado como bailarina profesional en algunas de las compañías de Flamenco y Danza Española más importante de nuestro país. A lo largo de ese tiempo, ade...
Read moreFlamenco on the spot: Xianix Barrera
Xianix Barrera, a native New Yorker born to Puerto Rican and Dominican parents, was exposed at an early age to music and dance in ballet, modern, jazz, and percussion. Xianix began her flamenco stu...
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